KAMX
CHROMA STUDIOS
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A figure in a long coat looks out over a future London, a ring structure and a moon above the skyline

Cinema first.AI second.

Every film starts with people: a writer's script, a director's decisions, a human performance captured on camera. AI then transforms and extends it into the characters and worlds the story needs. The writer, director and filmmaker stay 100% in charge.

The studio

We start where cinema has always started: a story, and someone to tell it. Every character begins as a human performance on camera; AI transforms it into the character the story needs, as one more department working to the director. Nothing enters the film without a human decision.

Films

Original features and shorts, written and directed by people, built on captured performance.

Partnerships

An AI department that joins your production, under your director.

Tools

Software that gives filmmakers control, and the Chroma Store.

Journal

Synthetic Cinema: how traditional craft meets AI, every month.

Who decides

Read the credits.

On a KAMX film, every creative decision has a human name next to it. AI is on the crew list, never in the director's chair.

Written by
A writer
Directed by
A director
Performance
Human, captured, then transformed
Camera and light
Chosen by the director
References
Real places, faces and light
Music
A composer
Edited by
An editor
Extended with
AI, as a tool, under direction

The quality of the machine matters. The quality of the person directing it matters more.

For traditional productions

What AI adds to the way you already work.

Previs from the script

See scenes before you build them. Blocking, lenses and light tested in days, so the shoot day goes to performance.

Real locations, extended

Shoot the actual street, then extend it into the world the story needs, keeping the light and texture you captured.

Performance, transformed

A human take is recorded for timing, eyelines and emotion, then transformed into another character, age or world, keeping the intent of the original. Always with the performer's consent.

Pickups without rebuilding

A missing insert or a changed line, fixed from approved references instead of a new set build and a recall.

Faster finishing

Clean-up, set extension and conform handled alongside grade and sound, to the standard your film was shot at.

Shooting the traditional way, with your own cast and crew? We join as the AI department, reporting to your director.

Talk to us
Selected work

On the slate.

FEATURE FILMIN DEVELOPMENT
The
Tower
An Enrico Rudolph Famulari Valentino filmKAMX Chroma Studios
A camera crew films Tower Bridge while a tablet previews the same view extended into a future skyline

London 2098

Real plate, extended. Study, 2026
A performer in a motion-capture suit mid-movement on a studio stage

Performance first

A captured human take, transformed into a new character. Lab test, 2026
A director studies a storyboard wall of approved shots, acts and lens choices

The director's wall

Every shot approved by a person. Process, 2026
What we do

From the first draft to the final mix.

How we work. We are not a traditional live-action production company and we don't staff full casts and crews. Our films are built from captured human performance transformed with AI. If your film is shot the traditional way, we join it as the AI department.

A powerful model in the wrong hands does not make good cinema. It makes more output.
Enrico Rudolph Famulari Valentino, director
The Lab

Tools that take orders.

We build software so the filmmaker specifies and the machine follows, not the other way round. In development for professional productions.

Expression control

The director specifies an expression precisely, using the Facial Action Coding System, and gets it back the same way every time.

Sequence direction

Keyframes approved by the director become the fixed points a sequence is built between, so the arc stays theirs.

Whole-frame review

Hands, faces and continuity checked before a take reaches the edit, so people review usable footage, not noise.

One face rendered four ways, side by side, for comparisonContinuity review, illustrative
Cover of Synthetic Cinema, issue 001, October 2026: Can AI make a blockbuster?
Journal, every month

Synthetic Cinema.

What we learn on the studio floor, published monthly: how traditional craft and AI work together, tools tested on real shots, and the rights of the people who make films.

Chroma Store

Make it look like the movies. Prove you made it.

Visit kamxchroma.com
THE FLAGSHIP

Chroma Provenance

Declare what you made, sign it and anchor it to Bitcoin, then hold a certificate anyone can check offline, forever. Ready for US copyright registration, platform AI-disclosure forms and EU AI Act Article 50. Only hashes ever leave your machine.

HashFingerprint the file
SignEd25519 signature
AnchorBitcoin timestamp
VerifyAnyone, offline

Illustrative animation, not a live verification.

FOR YOUR TIMELINE

Cinema-grade LUTs

33-point .cube 3D LUTs built on real colour science, tested on real footage and honestly described.

Frame before grading
The same frame with a look applied
BeforeAfter

Illustrative look preview. Instant download, royalty-free, 30-day money-back guarantee.

Browse LUTs
Start a project

Bring your script.

We'll bring the tools. You keep the final cut.